Stornoway: Beachcomber’s Windowsill

What better way to really get to know Beachcomber’s Windowsill, and its diligent composers, than to follow Stornoway’s rise to success and to follow them on the road to gigs in Swindon, London, Dublin, Galway, Brighton and Bangor.

AWAL is home to many success stories, with acts including the Artic Monkeys and Editors independently releasing material through AWAL prior to being signed. Stornoway follow in the footsteps of these established indie artists and whilst at initial glance it may appear that these are indeed  large shoes to fill, the debut album from the now 4AD-signed Oxfordshire quartet is quite frankly a scintillating piece of songcraft and musical mastery that would not be out of place in end of year polls or the Mercury Music Prize shortlist.

Stornoway are not dissimilar to a lightening bolt, ‘zorbing’  through the official charts  that are more often than not replete with vacuous synths and autotune.  Yet it’s a misconception to think that bands appear from out of nowhere.  Beachcomber’s Windowsill is the product of at least five years’ work and songcraft. Predominantly bedroom and garaged produced, with the exception of two studio produced tracks including album standout I Saw You Blink, in Beachcomber’s Windowsill Stornoway have managed to retain the idiosyncratic charm that underpins their music – a quality that can often be lost in the production of the most polished pieces of music.

In spite of not actually originating from their Hebridean namesake, Brian Briggs, Jon Ouin and brothers Oliver and Robert Steadman delicately capture the sound of the sea, rolling landscapes and natural beauty in their almanac album. Reflecting our individual journeys through life, Beachcomber’s Widowsill has a sense of progression – whether it is a train or car journey,  the Thames flowing between Oxford and London or a drunken stumble home.  Interpreting the world around them and their place within it, the outside world is brought into Stornoway’s music. This is also demonstrated in their live shows, as seen in the two bouys that are often incorporated into drummer Rob’s drum kit  and were originally found on a Scottish beach (photo 13).

Stornoway’s debut album harbours an eclectic range of styles (and not to mention instruments). From the foot-tappingly catchy album openers I Saw You Blink and Zorbing, to the heartstring-tugging Fuel Up and Long Distance Lullaby, Stornoway are experimental pioneers in their own right.  Clearly revelling in the creative process of making music, the sound of chopping carrots forms the basis of Here Comes The blackout…!  Stornoway have even been known to experiment with a Morse code drum-beat, literally spelling ‘I Saw U Blink’, in their early practices and performances of previous single I Saw You Blink. This creativity truly comes into its own when the album is performed live. If you are fortunate enough to catch Stornoway at a succession of live shows – I’ve seen them perform over ten times in just over a month – you will notice that the compositional arrangement for each track differs from show to show. A noisy, raucous, foot stomping drum-led performance of Watching Birds at Dublin’s The Crawdaddy on April 16th became an acoustic and slowed down performance at aTower Records in-store record the following morning.

Beachcomber’s Windowsill finds Stornoway poetically approach the overarching grand themes of modernity (We Are The Battery Human), love (Long Distance Lullaby) and the transience of life (Fuel Up). Yet Stornoway simultaneously counterbalance these metanarratives with the often overlooked fonder details of life – moths on windows (Boats and Trains) and birds sitting on wires (Watching Birds).It is this lyrical juxtaposition that could be said to also bear semblance to Stornoway’s overall position within the music industry. An indie band of sorts, Stornoway are now signed to independent label 4AD and are mainstream enough to grace Jo Whiley’s Live Lounge and to currently reside on the Radio 1 B List. In this vein, Stornoway’s secret to further mainstream success (if they want it) in my humble opinion lies in track 8, Watching Birds. A standout live track, it would certainly work as a future single release. It screams radio airplay and contains one of the finest Kazoo interludes I’ve heard since Feeder’s Just A Day.

With previous single Unfaithful and the album’s titular track Beachcomber’s Windowsill not making the final album cut, it’s clear that there is plenty more material where this impressive debut album came from. Live renditions of Blackbox’s Ride on Time and the edgy Wearing My Casio, A Live Lounge cover of Wiley’s Wearing My Rolex, indicate that the future of Stornoway’s sound will continue to be as eclectic as the objects that make up their album title’s subject, a beachcomber’s windowsill.

So what’s next for Stornoway? The last few weeks have found them completing their Highlands and Islands tour, The Great Escape,  a sold-out gig at ULU and Radio 1’s The Big Weekend. Their album is currently sitting comfortably in the Top Five of the ITunes album chart.

An advert for Beachcomber’s Windowsill has just graced my TV screen as I type….

Beachcomber’s Windowsill is available to buy on iTunes now

http://itunes.apple.com/gb/album/beachcombers-windowsill/id369503432

Tracklist:

1. Zorbing

2. I Saw You Blink

3. Fuel Up

4. The Coldharbour Road

5. Boats And Trains

6. We Are The Battery Human

7. Here Comes The Blackout..!

8. Watching Birds

9. On The Rocks

10. The End of The movie

11. Long Distance Lullaby

You can also catch Stornoway at the following festivals:

26th June: Glastonbury

17th June: Positivus festival, Latvia

10th July: iTunes Festival

23rd July: Womad

24th July: Truck Festival

29th July: Cambridge Folk Festival

30th July: Canp Bestival

1st August: Underage Festival

6th August: Belladrum Festival

7th August: Tall Ships Festival

12th August: Haldern Pop Festival

14th: August: Summer Sundae Weekender

11th September: Bestival

In New Music We Trust stage, Radio 1’s Big Weekend, Bangor. May 22nd 2010

Crawdaddy, Dublin, April 16th 2010.

Tower Records In store, Record Store Day, Dublin. 17th April 2010.

Rosin Dubh, Galway 17th April 2010

Introducing Stage, Radio 1’s Big Weekend 2009, Swindon.

Band of the day: Harmony

http://www.myspace.com/harmonyboucher

Music of the week

Harlem “Friendly Ghost”

The Futureheads “Heartbeat song”

1) Stornoway “I Saw You Blink”

2) Foals “This Orient”

3) Freelance Whales “Ghosting”

4) Here We Go Magic: “Collector”

http://wearehunted.com/#collector-here-we-go-magic

5) Fenech-Soler “Stop and Stare”

6) Wu Lyf “Lucifer Calling”

SXSW Tips

Whether you’re heading off to SXSW or watching the coverage from afar, here are some bands to listen out for:

1) Foster The People: “Pumped Up kicks”

Having now become a permanent feature of various hype blogs thanks to this song being featured on Nylon TV’s coverage of an Anna Sui fashion show, this song could well become the soundtrack to your Summer. Whilst this song could pass off as a finished product, other tracks available from their official web (www.fosterthepeople.com) need some further production. I have no doubt that they will find the suitable person to do this following SXSW.

2) Charades

Another hot band currently emerging from Spain, Charades produce beautiful pop with catchy riffs – it is easy not to notice that Charades are singing in Spanish. “Revolución Solar” is an anthemic track taken from their album of the same name and could well be one of the standout highlights of Austin’s SXSW.

http://www.myspace.com/lascharades

3) Crystal fighters “Xtatic Truth”

This was one of my favourite tracks of 2009 and it is gradually picking up mainstream support. Signed to Kitsuné, Crystal fighters fuse electro-pop with traditional Basque music – there are currently not many bands that play the txalaparta! i caught these guys at The Old blue Last the other week and I think the floor nearly collapsed with the weight of everyone dancing. If you’re not heading to SXSW, I throughly recommend you catch these guys at the Kitsuné party at London’s Heaven on 4th April or the Camden Crawl at the beginning of May.

4) The High Wire “Odds and Evens”

Yes I’ve already found the soundtrack to my Summer. The debut album from London’s The Hire Wire was released this week and has already had countless of plays from me. Chris Martin is a fan – are you?

5) Broken Social Scene “World Sick”

If you’re a fan of Arcade Fire, chances are you will enjoy these fellow Canadians. Taking on the form of a musical collective and often changing their compilation, Broken Social Scene’s new material is quite frankly stunning as demonstrated in this seven minute epic track:

6) Bear Hands “What A Drag”

Could this be the comeback track that MGMT have failed to make? Think Pavement crossed with MGMT and you’ll be close to how cool these guys sound.

7) Fenech-Soler

Heard “Lies”? Heard their remix of Marina & the Diamonds’ Hollywood? Heard Groove Armada’s “Paper Romance?”

If “No” to all three, then here is Ben Duffy from Fenech-Soler performing with SaintSaviour in GA’s latest vid. Having wowed the crowd at The Forum last week, Fenech-Soler will be a name that is bound to be associated with summer 2010.

8) Washed Out “Feel It All Around”

Say hello to Ernest Greene – a Georgian bedroom synthster that actually produces good music cf the mush/ersatz Postal Service that Owl City made:

9) Oh No Ono “Swim”

Danish quintet Oh No Ono are charmingly idiosyncratic. Taken from debut album Eggs, “Swim” is catchy. Really catchy. You’ll be humming it in your sleep – don’t say I didn’t warn you.

10) Lissie “In sleep”

If you’ve ever wondered what it would be like to have been born a cowboy, I would recommend you listen to this girl. I plait my hair and don a checked shirt each time I listen to this track but I’m just not her:

Ps that song is recorded LIVE. How great does she sound. Going to drink more Jack Daniel’s in an attempt to emulate her. Damn you Lissie.

And if you have not yet caught The XX live, WHERE THE HELL HAVE YOU BEEN? GET OUT OF YOUR CAVE:

LOOK AT WHAT YOU HAVE BEEN MISSING: